Clay that never stops changing.

Reel, 2026

5 min 38 s. Plays muted; turn the sound on in the player.

Morphic transformation, character performance and traversal. Puppets, sets and clay sculpted, built, lit and animated by Ryan Haché.

Current work

Screeners available to festival programmers on request.

A pale pig-headed clay figure raises one hand in the dark, a pink clay form at his side.

Morby

Soft clay stop-motion

Complete, entering festivals
A long-faced clay figure with heavy-lidded eyes and an open wound on its crown, one arm folded over its head.

Humph

Soft clay stop-motion

Complete, awaiting score
A one-eyed pig creature sits in the dark beside a small floating clay sphere.

Porgu

Bronfree Films

In post-production

About

Ryan Haché, standing in a forest clearing on Salt Spring Island.

Ryan Haché is a self-taught stop-motion animator and filmmaker working in soft clay from his home studio on Salt Spring Island, British Columbia. Gumbort is his solo practice.

His work moves between abstract morphic clay animation and character puppetry, and increasingly into the space where the two meet: puppets that soften, melt and reform mid-performance. The forms run from short loops to longer short films, each sculpted, built, lit and animated by hand.

Over the past decade he has grown the practice from improvised garage experiments into full-time work supported by eleven public arts grants, across solo and collaborative projects. As co-lead of Bronfree Films he made Tiny, winner of sixteen awards, and Mink, which received the Indigenous Language Production Award at imagineNATIVE. His films have screened at more than one hundred festivals internationally.

He is now pushing further into experimental morphic animation.

gumbortfilms@gmail.com

Commissions, collaborations and festival enquiries.